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CS4216 Fiches technique(PDF) 21 Page - Cirrus Logic |
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CS4216 Fiches technique(HTML) 21 Page - Cirrus Logic |
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21 / 58 page ![]() SCLK to CLKIN, the noise performance in Slave sub-mode may be slightly worse than when using Master sub-mode. The CS4216 inter- nally sets the sample frequency by sensing the ratio of SCLK to CLKIN; therefore, for a given CLKIN frequency, the sample frequency is se- lected by changing the SCLK frequency. SM4-Slave allows up to four codecs to occupy the same audio serial port. Table 8 lists the pin configurations required to set the serial audio port up for 32, 64, or 128 bits-per-frame (BPF). Since each codec requires one sub-frame of 32 bits, 64 bits-per-frame allows up to two codecs to occupy the same audio serial port, and 128 bits-per-frame allows up to four codecs to occupy the same audio serial port. When set up for more than one codec on the bus, other pins are needed to select the particular time slot (TS) associated with each codec. MF8:SFS2 selects the time slot when in 64 BPF mode, and MF8:SFS2 and MF7:SFS1 select one of four time slots when in 128 bits-per-frame mode. Ta- ble 8 lists the decoding for time slot selection. In SM4-Slave, the frequency of the incoming SCLK signal, in relation to CLKIN, determines the sample frequency on the CS4216. The CS4216 determines the ratio of SCLK to CLKIN and sets the internal sample frequency accord- ingly. Table 9 lists the SCLK to CLKIN fre- quency ratio used to determine the codec’s sample frequency. SCLK must equal CLKIN di- vided by the number in the table, based on the selected bits per frame. As an example, assuming 32 BPF and CLKIN = 11.2896 MHz, if a sample frequency of 11.025 kHz is desired, SCLK must equal CLKIN divided by 32 or 352.8 kHz. Serial Control Port (SM4) Serial Mode 4 separates the audio data from the control data. Since control data such as gain and attenuation do not change often, this mode re- duces the bandwidth needed to support the audio serial port. The control information is entered through a separate port that can be asynchronous to the audio port and only needs to be updated when changes in the control data are needed. After a reset or power down, the control port must be written once to initialize it if the port will be ac- cessed to read or write control bits. This initial write is considered a "dummy" write since the data is ignored by the codec. A second write is needed to configure the codec as desired. Then, the control port only needs to be written to when a change is desired, or to obtain the status infor- mation. The control port does not function if the master clock is not operating. When the control Fs (kHz) MF6: MF7: MF8: N with CLKIN F1 F2 F3 12.288 11.2896 MHz MHz 0 0 0 256 48.00 44.10 0 0 1 384 32.00 29.40 0 1 0 512 24.00 22.05 0 1 1 640 19.20 17.64 1 0 0 768 16.00 14.70 1 0 1 1024 12.00 11.025 1 1 0 1280 9.60 8.82 1 1 1 1536 8.00 7.35 Table 7. SM4-Master, Fs Select MF6: MF7: MF8: Bits Per Time F1 SFS1 SFS2 Frame Slot (BPF) (TS) 000 32 1 001 Reserved 010 64 1 011 64 2 100 128 1 110 128 2 101 128 3 111 128 4 Table 8. SM4-Slave, Audio Port BPF & TS Select CS4216 DS83F2 21 |
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